GERARD MARKX SERIES

A decade earlier, the museum called Gerhard Marcks Haus, which houses a permanent exhibition of his artwork, was established in his honor in Bremen, Germany. He also designed memorials for soldiers and civilians who had died in the war, and his work was part of the art competitions at three Olympic Games. ДЄfter World War II, Marcks became Professor of Sculpture at the Landeskunstschule (Regional Art School) in Hamburg, where he taught for four years, before retiring to Cologne. In 1943, his studio in Berlin was bombed during an air raid, and many of his works destroyed. During this period, he made several trips to Italy, where he worked in the Villa Romana in Florence and the Villa Massimo in Rome. In 1937, when twenty-four of his works were confiscated and destroyed by the Nazis, he was prohibited from exhibiting and threatened with being forbidden to work. Дespite such persecution, Marcks continued to live in Germany (in Mecklenburg) throughout World War II. He was fired because his work was deemed unsuitable by the Nazis, with the result that several works were in the infamous exhibition of ' degenerate art' in Munich in 1937, along with that of other Bauhaus artists, among them Herbert Bayer, Lyonel Feininger, Johannes Itten, Wassily Kandinsky, Paul Klee, LГЎszlГі Moholy-Nagy, Oskar Schlemmer and Lothar Schreyer. After the death of its director, Paul Thiersch, Marcks was named his replacement, a position he continued in until his dismissal in 1933.

Marcks moved instead to the Kunstgewerbeschule (School of Applied Arts) in Burg Giebichenstein near Halle. In September 1925, the Bauhaus was relocated to Dessau, and its pottery workshop was discontinued. In time, his focus shifted to the human figure, and it was this subject that continued to hold his attention for the rest of his life. His interest in animal forms is reflected in the work he made for his first Bauhaus portfolio ( Neue Europaeische Graphik I), such as Die Katzen ('The Cats') and Die Eule ('The Owl'), both woodcuts.

GERARD MARKX SERIES

Д®arlier, Marcks had made the models for a series of animal sculptures, which were reproduced in China by a porcelain factory. Marcks, in addition to duties in Weimar, taught the history of the practice, encouraged experimentation, and sometimes decorated pots. Krehan taught the students to throw pots on the wheel, to trim and glaze them, and to fire the kiln. The other teacher in that workshop, its Lehrmeister (Crafts Master) was Master Potter Max Krehan, the last of a long line of potters, whose workshop was in Dornburg. Specifically, Marcks was appointed the Formmeister (Form Master) of the school's Pottery Workshop, which was located not in Weimar but in an annex to the school in nearby Dornburg.

In 1919, when Gropius founded the Bauhaus, in Weimar, Marcks was one of the first three faculty members to be hired, along with Feininger and Johannes Itten. He was also affiliated with the Deutscher Werkbund, of which Gropius was a founding member. With architect Walter Gropius, German-American painter Lyonel Feininger, Scheibe and others, Marcks was a member of two art-related political groups, the Novembergruppe (November Group) and the Arbeitsrat fГјr Kunst (Workers Council for Art). During World War I, he served in the German army, which resulted in long term health problems. In 1914, he married Maria Schmidtlein, with whom he would raise six children. Marcks was born in Berlin, where, at the age of 18, he worked as an apprentice to sculptor Richard Scheibe.

Gerard markx